Enola Holmes is “sweeping” movie forums with a talented cast and a compelling story. The film also recreates the magnificent late Victorian fashion style and conveys a meaningful message about feminism.
Discover late victorian splendor and fashion through Enola holmes
The film follows the young female detective Enola Holmes, the sister of the famous detective Sherlock Holmes, on a journey to find her missing mother and thereby uncover the truth behind the mysterious cases. “Rained” on Netflix’s Top 10 Movies chart from part one to part two, this is not a surprising result when the film owns a cast of “beautiful boys and girls” such as “Eleven” Millie Bobby Brown, Henry Cavill, Helena Bonham Carter, Louis Partridge,… Set in the late Victorian era, the fashion in Enola Holmes brings a retro atmosphere mixed with a bit of modern innovation.
The late 1800s marked a dramatic shift in women’s fashion. The once “dominant” ballgown dresses have gradually cooled down because of the “oversized” that is extremely inconvenient when moving. Therefore, the bustling skirt with the design of only bulging behind, hugging the waist in a tight way, has “created” spectacularly. Bustle dress has given ladies a feminine, seductive but equally proud and strong appearance.
With women becoming more involved in activities outside the home, fashion designers have changed accordingly. The skirt has been “shortened” for ease of movement and features such as ruffles and layered fabric layers remain the same, but with a cleaner version.
An extravagant and expensive material, lace, appeared almost entirely on the clothing of the nobility. From tennis dresses to luxurious evening dresses, all are decorated with lace. Evening dresses of nobles will be decorated with embroideries and carefully tailored to every little detail. Lace is often sewn on the collar and cuffs, as well as the sloping shoulders to create a subtle accent for the outfit.
At the end of the Victorian era, the role of women changed as they became more involved in business and production activities. With the working class, dresses have begun to have a graceful A-line with a much more subtle slit from the waist and no longer tighten the second round to create an hourglass figure.
Changing attitudes about acceptable activities for women also makes clothes “breathe.” Dresses in cotton fabric with a light and not too-fussy waist design became popular. Enola often appears in her light-waisted outfits with thin, soft materials. It not only brings comfort but also evokes the mischievous side of a young woman in her twenties.
The alternative to the “giant” gigots is a softer moderation in the sleeves. Women in the film tend to dress neatly but still gracefully when combined with long maxi dresses. Blazers (like aprons) with sturdy shapes are also given a chance when it shows a strong and strong woman’s beauty. In the late 1890s, puff sleeves were also very popular.
The general trend for working-class uniforms is dresses made of cotton or linen with long gowns, aprons, scarves, or mobcaps. The girls at the match factory in Enola Holmes 2 look extremely graceful and equally strong. They often wear neutral-colored dresses combined with aprons and belts. The scarves are also given the opportunity to create a charming touch.
For the nobility, their style must always exude luxury and sophistication at first sight. In particular, feathered hats and opera gloves are indispensable accessories because it is less elegant for a lady to leave her bare hands at the ball. The most interesting part of the ball is probably the language of the hand fans. They not only adorn the appearance of the ladies but are also used as a “hearing” tool. The film is also decorated with the sparkle and elegance of many precious stones and pearls.
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